Favor and kindness can become a burden. Bermuda Triangle - Colorful Pastorale - Episode 11 "This Song is" Loose Thoughts

The avant title of this issue begins with Kanon, who was helping out in the village, learning that Ferma-san makes delicious looking hijiki pasta, and expressing her desire for us to make it for her = she wants to eat it.

There is a lot of information packed in here. The fact that Kanon, a shy "stranger from the city" who feels that there is nothing to do in the village of Parlel, is left to do the village's work alone. When he met a villager (Chante), he began to make casual small talk with her. That he could tell that Chante's cargo was morning hijiki = he understood the characteristics of the village's specialties and Chante's role in the village. That they have established a casual relationship with Chanté, asking her to mediate their rather brazen request to eat hijiki pasta themselves. In a word, the one-minute video naturally conveys the information that Kanon has become a member of the community of Parrelle Village. As for Mr. Frazee's meaningful words, "The windmill can neither turn too fast nor too slow," let's keep them as information for now.

Here is a small kineorb like a marble found by Kanon. In our sense, is it like a single CD on 8cm disc?　No, by the end, it was more like a cassette tape or a vinyl record. The coloring also resembles the color of a canon tail. Inside was the song "Shabon," a song sung in an old movie. The way Kanon sang along with the singing voice from the Kineorb video showed that she still loves to sing. Here we enter the opening theme. It is a beautiful, lean and beautiful avant.

There is a rather unusual scene in this edition. Ms. Aldi, who was not very conscious about the handling of personal information and copyrights, gets furious with Serena and her friends. Isn't that a little too harsh?　I thought it was a bit too harsh, but I felt his firm belief that a respectable adult is able to admit what he did wrong and apologize properly. Mr. Aldi said, "I see, you're right. I may not have thought it through properly." He apologizes honestly and does not take offense. Although Aldi's position is that of chief of the village of Parrel, the mermaid relationship between the ageless mermaids appears to be basically even. As they go through their various experiences around the cinema, the sonatas may gradually be approaching equality with the adults in the village.

Now, the reason why Mr. Aldi was scolded was that he had sent the recent news of Kanon and the videos taken by the Sonatas to Ms. Verata of Atlantia without permission. Ms. Verata ...... is like a manager of Kanon as an idol?　I heard her voice and it was about Mr. Aldi's shell sisters (shell sisters) played by Fumi Hirano. Yes, that's right. It is a bad habit of my uncle to recognize individual characters by their voice actors instead of their names. In her letter, Ms. Verata invites Kanon to audition again.

Serena and Sonata are furious when they learn the contents of the letter. Even Fina and Caro are angry. They are furious. I was thinking about the interpretation of this scene for a while, and then it all fell into place. First of all, Aldi sympathizes with Verata, who has sent a precious little girl to a distant village and is taking care of her by sending her personal effects and other things, and is at least giving her information. This may seem like a betrayal to the children of the village of Parrel. But it was disconcerting at first to see even the wise and gentle Finna raising her eyebrows.

The clue was in the conversation between the sonatas as they ate their elbow pasta. They were reiterating that the canon is an important member of the Parrelle village. Yes, it is true. The letter from Atlantia was a formulation of the possibility that might tear and take away Kanon from the community of Parrelle Village. Kanon, a valued companion and friend, might choose the glittering world of the city over the village. It must have been anger that Aldi, the sheikh, would bring that possibility, that connection, that trigger. Fermat, who did not help Aldi, weakened by the unexpected denunciation, may have been cute and happy about Kanon, who began to eat elbow pasta with relish after his little selfishness.

The scene that follows is easier to understand if we understand that Caro and the others are angry that their friend might be taken away from them. When Capri and the other small children in the village cry because they know that Kanon might leave (in this scene, I was reminded once again that Natura is really Amina Sato), Caro and Fina reassure them by saying, "Don't worry, Kanon won't leave. (I felt again that Natura was still Sato Amina.) Caro and Fina reassure them by saying, "Don't worry, Kanon will not leave.

I was thrilled to see that Caro and Fina, who are probably more concerned than anyone else about the connection between the five of them, spoke up and Sonata agreed with them, while Serena, who is more of a realist, did not say a word.

Kanon apologizes for not telling her about the "Shabon" kine orb that contains her favorite song, and for seeing it alone. I felt it was a guilty feeling of hiding from my friends a small unfulfilled desire and longing for the stage, to sing a song and deliver my feelings to someone else.

If I had shown the video and everyone had laughed at how wonderful it was, Kanon's guilt would have disappeared in a bubble. But the old, little kine orb that I had tried to show the sonatas was shattered before I could do so. Unexplained tears spill from Kanon's eyes as she gazes at the shattered orb. In the narrow relationships of the village, the words of friends who are bound together by feelings of love are developing into unconscious repression, something like that. I thought, "Is it really OK to do this in "Kalapare"? I thought, "I can't do that in "Carapare,"" but it is really stylish to let that part slide. But then Fina sneaks into Serena's bunk, you know?　I love the fact that you don't explain at all in the film about the psychology of ...... who feels lonely and goes to Serena, the shell sister, because she has a feeling that her connection with her friends might disappear.

Only Sonata was even vaguely aware of Kanon's longing for the city (the songs and the stage in the world of the city). The adults in the village seemed to understand everything and watched silently, but there were some misleading comments to Mr. Leger. The flow of ...... that even adults who seem to know everything can make mistakes overlaps with the way Aldi stared at the mistakes at the beginning of the story.

And the children see Aldi as the norm in the village, able to admit and apologize when he realizes that what he believes to be right is wrong. Seeing Kanon's heart closed and crystallized as it was when he was brought to the village, Finna and the others realize that something has been driving Kanon, and they are getting closer and closer to an answer that they don't want to admit to.

This is where the sonatas are still children when they make a beeline for the other side. Aldi is the head of the village of Parlel because he is able to give a simple and unique answer to the sonatas who decide on their own that "if it is too hard for you to stay in the village of Parlel, you should be sent back to Atlantia.

Aldi writes a letter to Verata, and Kanon continues to crystallize and sleep. The next issue will be the final episode.

(Text by Kiri Nakazato)